Mirza Asadullah Khan Ghalib was born in Agra in the closing years of the eighteenth century. He wrote in both Urdu and Persian and was also a great prose stylist. Ghalib fascinates his readers for many reasons, but one of the most noted qualities in Ghalib was that he was a careful, even strict, editor of his work. It is said that he discarded or disregarded more than half of his Urdu verses. These verses were forgotten for long, until as late as 1918, in the library of the princely state of Bhopal. In 1921, they were edited and published as a new Divan-e Ghalib. In Flowers in a Mirror, Mehr Afshan Farooqi continues her research in the strain of her first book, A Wilderness at My Doorstep. She examines Ghalib’s approach to his work, the world in which he lived and composed, and ultimately, his genius. She selects 30 ghazals from the rejected corpus, translates them into English and provides an erudite, sparkling critical commentary. Through this book, she highlights the significance of marginalized poetry and the need to reinstate the forgotten verses in our lives and hearts.
